USING DANTE AUDIO FOR LIVE PRODUCTION SOUND MIXING, RECORDING AND LIVE STREAMING

9 million CADs lol, that was really funny. Great video.

Amazing video...let's support each other.....stay connected

Hello and thanks a lot for this video. Did you test the difference beetween applying the compressor and limiter with numerical Dante tools instead of doing it with your Behringer analogic compressor and limiter ? To say it other way, if you would'nt have had the Behringer compressor yet, would you need it in your chain or could you apply an effect un a numerical way ?

Thanks for the video, very informative.

9 MILLION CA. HA

Thanks so much for this! Super enlightening

Why this stupid music?

Sr can u make another video about Dante avid?

Thanks for the video.

Please do an overview of this video rack!!

Hi, cool video! But i have a question about Dante and a DAW. Right now our livestream setup looks like this:

All microphones go into the Allen & Heath GLD80 mixer. This is where the FOH mix is ​​made. So that we can mix the audio tracks for the live stream individually, we have built the Allen & Heath iLive iDR Dante card into the mixer. The sound from the mixer (Dante card) then goes to the standard Ethernet connection in the sound mixing PC. The DVS and the Dante controller are installed on this PC. We use ProTools as a DAW. Now the problem is that only a maximum of 32 Dante inputs can be added in ProTools. In addition, we do not know how we can then listen to the mixed sound and then bring it to the Black Magic ATEM Mini Pro Switcher. The only solution I found out was that I have another laptop and can send the mixed ProTools mix back to the Dante network. So that I can then bring the sound to the switcher, I imported the mix from the Dante network with vMix and DVS. And then I send this with vMix like HDMI to the ATEM Mini Switcher in Input 4.

Thus, the following problems arise:

- We need more than the 32 Dante inputs in Pro Tools
- Sound cannot be heard because the ATEM Mini Pro has no aux output
- The sound is too slow and the image cannot then be delayed in the ATEM Mini Pro.

Now I have some ideas and that results in the following questions:

- Could I add more than 32 Dante inputs in ProTools with a Focusrite RedNet PCIe R card?
- Is there a possibility with this card to listen to the sound from ProTools (to use two sound cards at the same time)? In ProTools there is only one sound card (Dante)
- Do you need a second laptop to send the mix to the ATEM Mini?
- Is there an easier way than with vMix to send the finished mix to the ATEM Mini Pro with an HDMI cable?

I hope someone can answer my question because I just don't know what to do.

New sub - thank you so much for sharing this info, a perfect solution!

This might be a silly, obvious question. If you ride the levels of the sending Dante unit - it will adjust the output down the line, just like a traditional cable setup?

Thank you so much for taking the time to make this great video! It's incredibly helpful, and just the info I needed. :)

Does the the dongle goes into input on channels 1 and 2 or on a channels in and out port and also I take it u run a 1/4 inch into your channels on back of the atem. great simple description,

nine million dollars in Canada???

That was an amazing simple lesson on not only what you’re doing but how you did it!! Thank you so much from southern New England, USA.

Nice

So the house network cabling really saved you. Had the cat cable had issues, you would have had to run your own network cat cable the same as the XLR run.

@TheUnMarketingGroup Hello, one question. Once you setup e configure your kit, next gig, do you need to reconect your laptop and dante controller, or both adapters will automatically see each other again and send/receive signals? Thanks