Lecture: Darby English
June 2, 2017
At the close of the 1960s, black American artists saw their work taxed with formidable, often constraining expectations. Many working at that time—including Barbara Chase-Riboud, Ed Clark, Frederick Eversley, Jack Whitten, and Alma Thomas—remained steadfastly committed to abstract painting and sculpture. Yet this commitment came at a cost: black cultural authorities branded their work non-representative and the artists out of touch. This lecture examines some of abstraction's functions within the context of the black liberation struggles of the period.
Presented with the Terra Foundation for American Art
At the close of the 1960s, black American artists saw their work taxed with formidable, often constraining expectations. Many working at that time—including Barbara Chase-Riboud, Ed Clark, Frederick Eversley, Jack Whitten, and Alma Thomas—remained steadfastly committed to abstract painting and sculpture. Yet this commitment came at a cost: black cultural authorities branded their work non-representative and the artists out of touch. This lecture examines some of abstraction's functions within the context of the black liberation struggles of the period.
Presented with the Terra Foundation for American Art
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Lecture: Darby English
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