Комментарии:
Thank you very much.
ОтветитьInteresting stuff!
ОтветитьMan, I'm so sorry, but I'm a pianist myself, and I've listened to Monk for years now, and it just isn't his voicings... I guess it wasn't your goal, but you kind of make him sound like a stupid musician who only plays three notes. it's not because it sounds dissonant that it's Monk like. What about a dominant chord with the root and the seventh with the left hand and the third ans #4 with the right ? He used to use it all the time.
ОтветитьThese are included in mark levines jazz piano book...Was wondering if a tune is just in one key center, couldn't you reharminize it first so you can use more "monk" voicings on it?
Ответитьvery interesting!!!
ОтветитьThis lesson does NOT cover Thelonious Monk chord voicings very well.
ОтветитьAbsolutely terrible! Monk is rolling in his grave!
ОтветитьHello,I‘'ve read your lesson and also read Mark Levine's <The Jazz Piano Book>. I'm confused about the ImM7 in melodic minor scale, Mark Levine said the chords in melodic minor scale are all the same, so CmMaj7's Monk Voicing should also be [D-Eb-G], which is different in your lesson.
ОтветитьHorrible vid
ОтветитьThanks so much for all this videos, I studied classic piano and always wanted know how to be able of accompany songs without sound like a dummy, Great job and thank you again
ОтветитьBrilliant
Ответитьyou suck plz stop
ОтветитьÉ só eu que tô vendo isso e ñ to entendendo nada pq é inglês kkkkkkk.
ОтветитьYou taught me something!!!!!
ОтветитьYou left out the sharp 4 or flat 5 which is prominent in "Round Midnight" and which would be used in "How Hight the Moon".
ОтветитьBrrrroooo. Slow down will ya.
Ответитьlove itt!!
ОтветитьThose voicings are more like Bill Evans than Monk.
ОтветитьJust learned a lot!
ОтветитьThis sounds really fun!
ОтветитьSensacional!!!
ОтветитьInteresting.
ОтветитьJust had posted on the Tracking Angle site my article on the recordings of Monk.
ОтветитьMonk harmonizing is much more complex than this. 🤔
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