Комментарии:
What's the 16bit synth drum machine?
ОтветитьHarp Egg!
ОтветитьI was like shit....what's her name. Then I remembered how you memed yourself into harplady, almost clicked fanshmano, and helloooo nurse! Still waiting on those absolutely sick and based Castlevania sotn covers, because Id just love to hear YOU play them through (if it's possible from infringement and all that law bound horseshit)
ОтветитьWHY IS A PEDAL LIKE THAT "MONO"? (i know it's not your fault and I'm not yelling at *you*)
ОтветитьIt's a shoe-gaze pedal
ОтветитьI ❤️ when you do the longer form videos and I can hear you actually play for while, and see everything the pedal does.
This was really especially lovely today. Thank you so much harp hippie.
We need a “chesty harp lady eating pretzels asmr” ft. Prismatic Wall
ОтветитьAs a wizard, do I need to be level 17 before engaging the Prismatic Wall?
ОтветитьSpectral Madness mode on the Cloudy is similar. Interesting
ОтветитьI like to think that all the instruments in the studio are singing along
ОтветитьA mono reverb pedal. Just beyond idiotic.
ОтветитьHey! I’m morph’n here! ❤
Ответитьboy that friggin annoying, it makes my ears ring.. I guess if I was into experimental drone, it would be the thing to use, but how is this different?
ОтветитьI had figured that it would be possible to model the sound in a room by simply playing sine waveforms as harmonics from the source, and collect the sound reverbating back, then break up streaming sound into its harmonics, and push them through the envelopes generated from the sine collection process, and it should sound like the sound is being modelled by the room.. So you could apply the same idea to model any kind of effects of a physical space. IS that what is being done?
ОтветитьIm 54, and as you get older you start to lose your hearing, and sounds like this are friggin annoying.. Cause it irritates the hearing, and the ringing augments the ringing that the brain is naturally producing as a result of the hearing loss. So you are effectively limiting your audience by using this device.. Its not going to sound the same to older people. And they have the money, if you are hoping to bring make money in a performance.
ОтветитьFocus on low basses, things you can feel, and high frequencies that are not pronounced.. This really sounds more like a hang drum than anything.
ОтветитьDoes it Morph or Cross-fade?
The only true morphing FX unit I've used is the Lexicon Vortex....
That is an amazing sounding pedal! Great video as well! Just a question though, I’m thinking of getting into pedals for my electric guitar, so how should I start? Would it be something like just collecting pedals I think sound cool (like this one), or are there certain effect pedals I should make sure to get in order to get my basics down first?
ОтветитьSo it's basically a pedal version of Mutable Instruments' Rings module but with more features? Sounds cool
Ответить"Prismatic Wall" is also a 9th level D&D wizard's spell.
"A shimmering, multicolored plane of light forms a vertical opaque wall--up to 90 feet long, 30 feet high, and 1 inch thick--centered on a point you can see within range. Alternatively, you can shape the wall into a sphere up to 30 feet in diameter centered on a point you choose within range. The wall remains in place for the duration. If you position the wall so that it passes through a space occupied by a creature, the spell fails, and your action and the spell slot are wasted.
The wall sheds bright light out to a range of 100 feet and dim light for an additional 100 feet. You and creatures you designate at the time you cast the spell can pass through and remain near the wall without harm. If another creature that can see the wall moves to within 20 feet of it or starts its turn there, the creature must succeed on a Constitution saving throw or become blinded for 1 minute.
The wall consists of seven layers, each with a different color. When a creature attempts to reach into or pass through the wall, it does so one layer at a time through all the wall's layers. As it passes or reaches through each layer, the creature must make a Dexterity saving throw or be affected by that layer's properties as described below.
The wall can be destroyed, also one layer at a time, in order from red to violet, by means specific to each layer. Once a layer is destroyed, it remains so for the duration of the spell. Antimagic field has no effect on the wall, and dispel magic can affect only the violet layer.
1. Red. The creature takes 10d6 fire damage on a failed save, or half as much damage on a successful one. While this layer is in place, nonmagical ranged attacks can't pass through the wall. The layer can be destroyed by dealing at least 25 cold damage to it.
2. Orange. The creature takes 10d6 acid damage on a failed save, or half as much damage on a successful one. While this layer is in place, magical ranged attacks can't pass through the wall. The layer is destroyed by a strong wind.
3. Yellow. The creature takes 10d6 lightning damage on a failed save, or half as much damage on a successful one. This layer can be destroyed by dealing at least 60 force damage to it.
4. Green. The creature takes 10d6 poison damage on a failed save, or half as much damage on a successful one. A passwall spell, or another spell of equal or greater level that can open a portal on a solid surface, destroys this layer.
5. Blue. The creature takes 10d6 cold damage on a failed save, or half as much damage on a successful one. This layer can be destroyed by dealing at least 25 fire damage to it.
6. Indigo. On a failed save, the creature is restrained. It must then make a Constitution saving throw at the end of each of its turns. If it successfully saves three times, the spell ends. If it fails its save three times, it permanently turns to stone and is subjected to the petrified condition. The successes and failures don't need to be consecutive; keep track of both until the creature collects three of a kind. While this layer is in place, spells can't be cast through the wall. The layer is destroyed by bright light shed by a daylight spell or a similar spell of equal or higher level.
7. Violet. On a failed save, the creature is blinded. It must then make a Wisdom saving throw at the start of your next turn. A successful save ends the blindness. If it fails that save, the creature is transported to another plane of the GM's choosing and is no longer blinded. (Typically, a creature that is on a plane that isn't its home plane is banished home, while other creatures are usually cast into the Astral or Ethereal planes.) This layer is destroyed by a dispel magic spell or a similar spell of equal or higher level that can end spells and magical effects."
$$!
ОтветитьFive is a fourth, seven is a fifth....
Ответитьif you like this you should check out the lastgasp audio labs misty cave. it's a resonator with an echo and an exp jack. it's neat.
ОтветитьBrian Eno probably ordered 1000 of these
Ответитьi love that he is wearing a metal zone. that bit using a piano as amp is AWESOME
ОтветитьThis seems cool. I already have a piano damper resonation effect on my stage piano (Yamaha CK88). The cool thing about it being an effect, as opposed to part of the piano sound engine, is that I can use it on other sounds. However, it's not as customizable or as intense sounding as this pedal. There are also resonators in the Continuum. I don't have an Iridium or Quantum, but if someone does, you've got a whole synth engine like this - IDK whether you can tune the bands chromatically. This is a good idea for a pedal.
ОтветитьLast Gasp Art Lab's Misty Cave did this first, but this is a much better application. I'm looking forward to mine arriving.
ОтветитьOk. I buy now 🙂
ОтветитьCan't say I'm impressed. I like seeing new ideas for sound, but sadly most of them are so specific that a pedal like4 this can only find it's home in one song or even more likely, part of one song. Basically, sounds fun, but in real life... it will sit unused a lot. Just my thoughts.
ОтветитьThis effect would be groundbreaking in eurorack format
ОтветитьLove your humor ! You are precious ! Oh, great video. Thanks for the info.
Ответитьlol, my wife has the Dungeons and Dragons and Drive ins and Diners and Dives
ОтветитьI'm looking at it as the very first pedal for sculpting tone... 😮
ОтветитьSo… the effect pedal necklaces… THAT was interesting as well.
ОтветитьLove your playing!! So beautiful!
ОтветитьGuitar Rig 5 had "Resochord" that should have been a pedal like this. I remember doing some really similar things to this video with Resochord in 2012.
ОтветитьNew Yorker explains music theory
“Fockin 5 side thing? That’s 5ths. This thing? Could be fockin anything, could even be a fockin turtle”
This is Chase Bliss-like I prefer a couple of Black Skycraft over this. Or Piotr’s Hexe Revolver. Or my custom Babybox but that’s a WHOLE other topic. 😂
ОтветитьBeen wanting this pedal since it came out. EAE makes some, if not all, of my favorite pedals put there.
Both Limelight and Dagger never leave my board.
But both this one and Sending have been in my want list for a while now ❤
Would be nice to know what the other gear is.. the white MIDI controller and the drum machine.
ОтветитьCool pedal and love the designer interview bits.
ОтветитьDamn, I may actually need one of these. Wanted a Frostwave Resonator and a LastGasp Misty Cave for the longest time, but because I've been up my own derrier with stereo rigs lately I kind of ignored this when it came out, but as Emily so rightly says I could just do what I do with my Mel9/Habit/etc. and put this near the front of the chain, with some stereo chums aft. Grrrr, the blasted list doesn't get any shorter...
ОтветитьThis is rad pedal. Like the controls. I already got the Meng Qi Wingie2 to experiment with a physical modeling resonator, it's stereo in and out too. That harp piano amp is super cool!
ОтветитьThis is so cool, I wish it wasn't 400 dollars but I get it, there are pedals that are way more. it seems like a lot of work went into it.
Ответитьincredible sounds, now where tf do i buy one, seems like this pedal is sold out everywhere
Ответить